Another problem is that while Miyazaki is able to spin his dramatically and emotionally complex narratives in a clean and straightforward manner, the storytelling here is not always as clear as it could be with enough wheel-spinning at times to make it feel as if it runs far longer than it actually does. No hentai is allowed in any case. Creativity is boundless, presenting an exciting world that exists between Heaven and Earth, one in which animals can fly and grandmothers can become enormous birds. To be fair, however, there is the possibility that some of my confusion regarding the story may stem from my own admitted lack of knowledge towards Chinese mythology and that it may make more sense in the details to those who are more familiar with it. Beyond that, the story comes off like the filmmakers read an old Chinese philosophy book, only understood two-thirds of it, and then tried to explain it to people who hadn't read it. In any way, do not start or participate in any flame wars.
This is one of those movies that, when it comes out on Blu-ray, viewers may find themselves just pausing to more fully drink in the wealth of detail and beauty on display at any given moment. One of them, a young girl named Chun, has just come of age and must undergo her rite of passage by experiencing the human world for herself. Little does she know, meddling with the natural order of the world has severe consequences. Disliking an opinion is not a valid reason for flagging. But to do this, she must protect the boy's soul, a tiny fish, and nurture it to grow. When Chun is preparing to head back home, she gets caught in a net and the boy jumps into the water in order to free her.
One of these beings, a young girl named Chun, seeks something more—she wants to experience the human world! The movie has made a major impact in anime: It's one of the highest-grossing Chinese animated movies of all time. On a seashore in the human world, Kun and Chun wash ashore in their human forms. It is a world within our world, yet unseen by any human, and the beings here control time and tide and the changing of the seasons. One of them, a young girl named Chun, has just come of age and must undergo her rite of passage by experiencing the human world for herself. In Western cultures, teen suicide prevention is a top concern, while other countries' traditions and cultures can sometimes consider it noble to allow yourself to die so another can live.
Through adventure and sacrifice, love grows, yet now she must release him back to the sea, back to life in the human world. Chun's mother soon finds Kun and throws him into the sewer. Da Yu Hai Tang is a story about sacrifice and redemption as Chun comes to terms with the limitations of her powers and deals with death, love, and her own emotions. It's troubling that the main character chooses to give up years of her life instead of her beauty. Chun bargains with the soul keeper, a resident of her world who collects virtuous departed souls from the human world, to return the boy to life. Characters are frequently in peril, and there are mildly scary and upsetting scenes. Chun is transformed into a red dolphin, allowing her to follow Kun through the portal.
While there, she gets caught in a fishing net during a storm and is rescued by a human boy. Encourages thinking about the meaning and purpose of life. As Chun continues to watch over Kun, Qiu visits the soul keeper to bargain his own life for the return of Chun's. After returning home, Chun is heartbroken and riddled with guilt over what happened and is determined to make amends. Chun and Qiu managed to escape from the rats taking Kun with them. The residents of Chun's world gather to kill Kun and avert further calamity. On the day Chun turns sixteen, she is transformed into a dolphin to explore the human world.
However, the boy ends up drowning during the incident, and Chun returns to her realm full of guilt. During a storm, Chun is tangled in a fishing net near the boy's house, and the boy drowns while freeing her from the net. For another, the lives of Chun and the fish, whom she dubs Kun, are now intertwined to the point where anything that happens to him will happen to her as well. Afterwards, she meets the Soul Keeper and decides to revive the boy in exchange for a part of her lifespan. The animation in this film is visual poetry: beautiful, flowing, and intelligent. Source: , Dongguo Xiaojie, a young girl, has lived together with her mother ever since she was little.
She takes an interest in the dolphin from the human world, and summons her rats to recover him from the sewer. There are a couple of caveats to this deal, however. At sixteen, she finally gets her chance and transforms into a dolphin in order to explore the world that has her fascinated. We are not Meme Central nor do we want to be. In a mid-credits scene, the soul keeper restores Qiu to life from his ashes, declaring that Qiu will be his successor. In a mystical realm that exists beneath the human world, populated by magical-powered beings, a girl named Chun participates in a coming-of-age ritual where she is transported through a portal of water to experience the human world in the form of a red dolphin. Qiu asks her whether she would like to live in the human world herself, but, overwhelmed with regret in knowing they are spending their last night together, is unable to express his feelings for her.
Before succumbing to the venom, he confides in her that he will support her in her task even in death. A human boy spots her and comes to her rescue, trying to free Chun from the entanglement. She must decide if she will sacrifice everything to save the human boy or forsake her moral obligation for the order of the world. While searching for Kun, Chun and Qiu meet the rat matron, who collects the souls of sinners from the human world, which manifest in the form of rats. Eventually, she makes her way to the curious bureaucrat in charge of the souls that come there to rest. On the one hand, they do manage the considerable achievements of telling a story where the main characters never exchange a single word between them and there is no formal villain to speak of to help spur things along. As Chun raises the tiny soul, she also raises the ire of her village as it becomes clear she's defied not just the community's rules but also the laws of nature -- which slowly puts her world into chaos as it tries to restore balance.
The film presents but doesn't clearly explore the idea of unintended consequences. How would you answer those questions? With its lush visual style and a narrative that features both mythological and ecological underpinnings, the influence of Miyazaki on co-directors Xuan Liang and Chun Zhang can be felt in practically every frame. If so, which ones, and why? As a last resort, Chun sacrifices herself, merging her body with her grandfather's begonia tree to grow it to colossal proportions, plugging the holes in the sky and saving everyone from the flood. . The rat matron summons her rats to recover Chun and Kun from the icy water, and takes the ocarina from Chun, planning to use it to secure her own passage to the human world.